The Floods of Aphrodite

SYNOPSIS, THE FLOODS OF APHRODITEThose who love Greek myths and the origins of our history don't pay attention to many questions. Deucalion was the first man, born from the mud by Prometheus, but were Inachus Phoroneus Ogigo other first men? And how can a god - Dionysus - suffer defeat in battle at the hands of a man, Perseus? Aphrodite is wounded under the walls of Ilium, how can this be accepted?The brilliant Homer says that the Olympic Gods left the earth during the Ilian War, is this nonsense? Why do the Egyptians and Assyrians have very long lists of ancestors and the Greeks don't? Demeter gives wheat to the Greeks, but in Mesopotamia it has already been eaten for millennia, why does it seem like we see two worlds? Since the end of the last Ice Age, after ten thousand years, the Mediterranean peoples have not been able to use the sea to move without ending up shipwrecked: elsewhere things are much better, why?What is the point of committing enormous resources and over a thousand ships to recover a woman, Elena? What era did Heracles live in? Why are Heracles' exploits considered imaginative and Alexander Philip's exploits credible? Why does Heracles become a god and Leonidas or Achilles not? How can ancient historians, despite being so analytical, pass down how the Centaurs, the Amazons, the Gorgons, the Nymphs really existed? Zeus loved many women, but avoided many more: do his choices make logical sense?Why does the myth tell us the union between two figures - Hera and Zeus - like irreconcilable spouses fighting each other? Gilgamesh Moses Deucalion, how many floods occurred and when? Why do very close peoples have, after millennia, incompatible cults, each characterized in their own way by orgies, mummifications, fasting, suicides or sacrifices, banquets, mutilations...? Uranus is castrated, but the same thing happened to Osiris, is there a connection?Do the migrations that occurred in mythical times have anything to teach us today? Do the enemies that each race had millennia ago still act against each other now? and how? and, above all, when did these conflicts begin? The Pelasgians were present in Italy, Greece, Anatolia, who were they and why did their diaspora occur? The Mediterranean has changed its morphology several times and with it the destinies of all peoples have changed; with this vision this work flies through events that ended 100 generations before ours.The territorial mutation imposed by the climatic and marine events that occurred between 1900 and 1280 BC. eliminates the widespread priestly theocracy of the cults of Hephaestus, Hermes and Dionysus Osiris and more. Only the Aegean and Ionian populations of the Second Millennium undergo a radical change in every social and economic sphere. Nature erodes priestly powers with their economic sources and a handful of centuries are enough to precipitate into a Middle Ages where the Trojan War appears to be the final phase of a literally shipwrecked human and divine era. A new frontier is born on the Dardanelles and from the times of Ilium to today, European and Mediterranean history has no longer changed so radically.Femininity and masculinity – the foundations of life – are revised and resculpted into pillars that hold the foundation of the liberal Western sky. The 5 floods that are identified here thanks to the unusually short dynasties of Phoroneus Deucalion Cadmus Perseus Dardanus Heracles damage many fertile lands, eliminating the unique sacred and political technological power of Telchini and Cabiri. Who took their place? Above all, flood events make the demographic growth due to the biennial Dionysian rites unsustainable; many territories absorb sea salt, entire plains disappear forever under the Aegean and Ionian Seas, epochal climatic and political migrations are activated between Italy, Greece and the Near East.The foam of the sea symbolically and the castrations of Uranus and Osiris, theologically and politically, bring to light the Mother Goddess of the beginnings and invent the meaning of human beauty, the only immortal one which has its emblem in Aphrodite's belt and in Athena's virginity and Artemis is her original and revolutionary aegis. Aphrodite, heir of Samhat, is the free, unique, carnal and fleeting perfection that is achieved after the slow evolution imposed by the defeats that men and divinities suffer; the new Olympic faith will be secular and marble and will attempt to eternalize life with Art, a new political instrument, and with the Philosophy of ordinary mortals.Aphrodite opens the doors to the feeling of love no longer punished with death in the name of God: Sappho and the free figures of Aspasia Ibnadussa Frine Mania live. Venus reduces the tyrannical Bacchus to the role of host and wealth based on the first mass use of the body of weak decadence. Athena sees in the darkness with her predatory eye an Artemis capable of killing those who attack her in the thick of a forest: thus the women of Sparta and Athens will be born.It is only in Magna Graecia, heir of Magna Creta, that the focus is on the single or collective female life to be eternalised; the new lasting sacrifice that brings the gods together with men is performed with marble: only in this way will Iphigenia be safe in memory and in the new culture. Aphrodite's belt attracts without the fears and forces that Omfale and Cassandra suffered last; physical union and births are shared and not imposed by drug wine sounds, giving humanity men endowed with the various possible natural parental contributions. The naked and marble divinity symbolized by Aphrodite shows a more effective eternity, more impervious to the passing of centuries than the peculiarities of the Titanics and the Olympians.Our Western World was created first in Pelasgia and then in Hellas, after forcing and fractures imposed by tsunamis, epidemics, famines and revolutions that attacked the Mycenaean, Egyptian and Mesopotamian powers. This journey ends for the first time and does not begin with the war narrated by Homer and we discover why Helen's beauty and Priam's gold could not alone motivate a suicidal universal war. If Ilium cries, Mycenae does not laugh and what risks the loss of everything, with the disappearance of an era, is not the gold stolen by a couple of lovers or a loot to be divided among dozens of peasant populations embarked on a thousand expensive ships .Elena possesses much more than her gold or a mature and faded beauty. I wanted a different flight on Pegasus, in Delphi, thinking only about all the Classics, with love and not alone in the same heat as always and in the immovable dust of the Sacred Way.